Alfred Hitchcock
Tube station mosaics

The year 1999 marked a big round 100th anniversary of Alfred Hitchcock's birth. Waltham Forest Council has a history of paying homage to the area's most successful export, so it was obvious they are not going to take a pass on such an opportunity.

Leytonstone tube station became the project's destination and mosaics were chosen as art form. Greenwich Mural Workshop, a small London-based company that also does murals, banners and more, was offered the job. They made 17 pieces, each put together with vitreous glass. The work was far from lightweight, as its completion consumed 7 months out of the lives of employed Greenwich artists and 80,000 tiles were used in total. That's almost 5000 pieces of glass per mosaic.

Fourteen are tributes to the great director's movies. For each, a memorable scene that embodies Hitchcock's characteristic style was chosen. Interestingly, they start with the letter 'm', but that probably wasn't anyone's intention. Despite few classics occupying earlier letters of the alphabet (and among them my personal favorite - Dial M for Murder), it so happened that the Leytonstone born and bred's majority of quality work was gifted with the titles starting with the letters of the second half of the alphabet.

The subjects of another three mosaics were more loosely related. One was a conversion of everyone's favorite photograph from Alfred Hitchcock's childhood in which the young boy sits on a horse accompanied by his father standing by and with the Leytonstone house in the background. The second mosaic shows the director at work, giving instructions to his actors who consume them with full attention. The last one shows a more relaxed side of Hitchcock - there he sits on the couch holding a cigar and clearly having a great time, while Marlene Dietrich, spread on the opposite side of that piece of furniture, is fully engaged in telling some story.

To make things easier for the less familiar with the director, captions carved in metal plates are directly above, or below the mosaics with information about each piece of art.

One common reaction of people who visit the tube station to get a peek at them is that of astonishment by the fact that neither of those who pass by notice them and instead are often curious as to why exactly is this or that madman taking pictures of a wall in a metro tunnel?

The final installation was made in April 2001. Below, you can look at every piece from the set.

Roger O. Thornhill is running away from the plane chasing him on farmland.
North by Northeast
Two men are curiously looking at what is happening outside the window.
Number 17
A stage show with woman dancing and singing and dancers in the background.
Pleasure Garden
Under the show, Hitchcock is instructing Leigh how to play her critically important scene. In the background, Norman Bates is lurking.
Psycho
Two main protagonists are spying on their neighbour with binoculars, partly hidden behind curtains.
Rear Window
Rebecca is getting help with her corset from Mrs. Danvers, who is looking at her with hostility. In the background, there is a painting of a castle.
Rebecca
Pat is driving a car while keeping Barry chained to the steering wheel to prevent him from escaping.
Saboteur
Final confrontation between between Guy and Bruno in the amusement park.
Strangers on a Train
Lina's husband is walking up the stairs with a potentially poisoned drink for her.
Suspicion
Melanie is trying to fight off birds that attack her.
The Birds
One man is helping another as they walk on the street at night. Their giant shadows occupy most of the space.
The Skin Game
The wronged man is sitting in a bar hidden behind a big coat and a hat, nervously checking out the latest newspaper.
The Wrong Man
A thief is walking over a rooftop at night.
To Catch a Thief
A revealing scene at the top of the belfry from near the end of the movie.
Vertigo

Young Alfred Hitchcock is sitting on a standing horse in front of his childhood home.
Young Hitchcock on a horse
The director is instructing his actors on the set. Everyone listens carefully, with the exception of a cameraman who is checking his camera.
Hitchcock on a film set
Alfred sitting in a relaxed pose, enjoying his cigar and listening to Marlene Dietrich's story.
On a couch with Marlene Dietrich
North by Northeast
 
Number 17
 
Pleasure Garden
 
Psycho
 
Rear Window
 
Rebecca
 
Saboteur
 
Strangers on a Train
 
Suspicion
 
The Birds
 
The Skin Game
 
The Wrong Man
 
To Catch a Thief
 
Vertigo
 
Young Hitchcock on a horse
 
Hitchcock on a film set
 
On a couch with Marlene Dietrich